{"id":33,"date":"2008-06-01T19:59:33","date_gmt":"2008-06-01T18:59:33","guid":{"rendered":"http:\/\/localhost\/wordpress\/?page_id=56"},"modified":"2025-06-26T11:50:43","modified_gmt":"2025-06-26T09:50:43","slug":"trayectori","status":"publish","type":"page","link":"https:\/\/smdesevilla.com\/principal\/trayectori\/","title":{"rendered":"Trayectoria"},"content":{"rendered":"\n
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Temporada inaugural<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Mendelssohn<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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K\u00f3d\u00e1ly \/ Morales \/ Guerrero \/ Victoria<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2004-2005<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Conciertos de oto\u00f1o<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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M\u00fasica coral francesa del siglo XX<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Gran sinfon\u00eda en el XVIII<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2005-2006<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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M\u00fasica coral del siglo XX<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Brahms<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Un barril de canciones<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2006-2007<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Los gozos de la Navidad<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Piano y la Voz<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El camino del Romanticismo en Gran Breta\u00f1a<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2007-2008<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El postrromanticismo alem\u00e1n<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas participativo<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Bruckner<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2008-2009<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Bruckner<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas Participativo<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Janequin<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2009-2010<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Sevilla y el barroco<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Cat(h)edral<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Curso sobre Barroco en la Catedral<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2010-2011<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Sevilla y el Barroco<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas participativo<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Pro defunctis<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Victoria \u00b7 Requiem<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Alonso G\u00f3mez Gallego<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Curso en torno al Requiem de Victoria<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2011-2012<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Pro defunctis<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Victoria \u00b7 Purcell<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Carmina Burana<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Mediterr\u00e1neo<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Jorge Garc\u00eda<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Martin Schmidt<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2012-2013<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas participativo<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Responsorios de tinieblas<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Gabriel D\u00edaz<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2013-2014<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Responsorios de tinieblas<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas participativo<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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O crux<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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O quam gloriosum<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller coral con Israel Moreno<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2014-2015<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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CLONE<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas Participativo<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Scarlatti \u00b7 Stabat Mater<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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O quam gloriosum<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Kristnasko<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2015-2016<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Ensaladas de Mateo Flecha<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas Participativo 2015<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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PASSIO<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Ra\u00fal Mallavibarrena<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2016-2017<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Responsorios de tinieblas<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas Participativo 2016<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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VIVALDI & H\u00c4NDEL<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Lionel Meunier<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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PROYECTO 40 \u00b7 OBRAS DE TALLIS<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2017-2018<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Bart Vandewege<\/strong><\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas Participativo 2017<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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MOZART \u00b7 REQUIEM<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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MONTEVERDI \u00b7 V\u00cdSPERAS<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2018-2019<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Taller con Bart Vandewege<\/strong><\/small><\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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El Mes\u00edas Participativo 2018<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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MYSTERIVM<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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INFINITUM<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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2019-2020<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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Victoria \u00b7 Officium Defunctorum<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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MATTH\u00c4US\u2014PASSION<\/h4>\n \n <\/div>\n\n <\/div>\n \n <\/article>\n \n <\/a>\n \n <\/div>\n \n
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